As expected, the Appalachian Studies Conference was a weekend of amazing weather, engaging intellectual and spiritual community, free-form fun, and rewarding hard work. We rode down with our old friend Deborah and our new friend Deborah, which was an amusing and confusing conundrum to solve throughout our collective adventure. We even considered calling them by the primary instrument each of them plays: Banjo (Deborah Thompson) and Fiddle (Deborah Payne). They were easy-going, amiable, and intelligent roommates (though Timi and I didn't get to hear them play music during our trip).
Banjo Deborah was working part of the weekend on her presentation, "Performing a Sense of Place: Traditional Music in Eastern Kentucky," which is part of her doctoral dissertation research in the University of Kentucky geography program. She was an excellent model of discipline even as we continued to distract her with chatting, but she was good-natured about our interruptions. So Saturday morning, she went to the public library and I stayed behind at the hotel to gather media materials and work on a rough outline for our presentation. Then that night after an excellent meal and an intense and beautiful theatrical production (keep reading for more about that incredible experience), Timi and I stayed up to finalize it. We came up with our final set of audio and video as well as their order and estimated time that would comprise our 75-minute multi-media presentation the next day at 9:15 a.m.
We didn't really anticipate a large turn-out for our presentation Sunday morning because a large number of people typically depart the conference or skip out on early sessions to sleep in. We had specially requested the less-than-ideal timeslot because there was a chance that I would be double-booked for the rest of the weekend, but the other opportunity fell through. So we were extremely pleased that 16 people attended altogether (not counting Timi or me), and only a couple of people left early or arrived late. A couple of folks we know and love from Berea College were there as well as both of our musical travel-mates. There were several young people there, including a couple of young women from Barbourville who knew David Lundy.
As we were leaving the presentation, several people came up to Timi and told her how much they enjoyed the presentation and the project she was doing in honor of her relationship with her grandparents. The oral history with Timi's mamaw was charming as ever, and some audio of her papaw really tickled folks. We did well in selecting our media samples and were able to include everything we had planned. We even managed to squeeze in a quick peek at the YouTube video of Bob Dylan singing "Somebody Touched Me"! The media set-up in the room was excellent and all technical components went smoothly. Thanks to the Tech folks at NGCSU for their attention and assistance; we had one guy help make sure we were set up beforehand, and afterward a woman came in to ask for feedback about how everything went. Kudos for work well done!
One of the main highlights of our weekend was our Saturday night activities with the Deborahs. After the conference events, we rushed to the Backporch Oyster Bar for supper so we could make it to the play by 8:00 p.m. The place was packed and cacophonous with a mix of Appy folks and locals alike. Timi and Deborah P. both ordered salads and coconut shrimp. I got a dozen cold oysters, only my second such delectable foray, which I shared some with Deborah T. who in turn shared some of her divine jumbo scallops and spinach.
We were a little late arriving at the theatre and were worried that the show had already started. When we went inside, the cast was all lined up outside both rear doors preparing to make their entrance. They smiled and waved us quickly through their line so we could sit down before the show began. We found four central seats in a row near in the back as director Robert Gipe finished his introduction of the Harlan County production of Higher Ground, a play written by Jo Carson using stories collected by the community.
What transpired over the next three hours was an astounding series of skits, storytelling, singing, and soul-searching performed by an incredibly diverse and large cast. There was an astounding mix of race, gender, and age among the more than 50 performers who were excellent as real down-home folks playing real down-home folks. The play highlighted both the strengths of the community and the devastation caused by prescription drugs, natural disasters, and mining accidents. The combination of heavy issues confronted by the hope and resilience of the community was powerful and emotional.
Timi and I recognized three folks from the Eastern Kentucky Social Club in Lynch from our visits there on the Berea College Appalachian Tour, and afterward the whole cast came down into the audience asking everyone what they thought about it and hugging people right and left. Altogether, it was an intense and insightful experience... that inevitably transformed into a pep rally when fans began asking for that evening's basketball score and then chanting "UK! UK! UK!" when they heard we were 30 points ahead.
Other conference highlights included a session on "Engendering Nature, Endangering Mountains: An Ecofeminist Challenge to 'Progress' in Appalachia" that Timi and I attended, which was a dream come true as long-time Appalachian ecofeminists and activists. Timi also attended a session on "Returning to our Mother," which included a paper by Gurney Norman called "Alienation from the Body: Separation from the Mother." She was incredibly moved by the entire set of presentations in which white men were calling for respect for all people and the earth, but she was especially inspired by Gurney Norman's outright claim to his identity as a "Matriot" of his country and planet.
And we both got weepy when Appalachian musician, scholar, filmmaker, and all-around super-star Jack Wright was honored with the well-deserved Cratis D. Williams/James S. Brown Service Award. Finally, I had a conversation with Jim Webb, WMMT DJ and fellow Berea College alum, about the possibility of doing a show on Frances and John's music, and he just told me to contact him and let him know when we'd like to do it! So we look forward to reporting on the results of this request...
We enjoyed a lovely, and vivaciously curvy, journey home via a different route than we took (in the dark) to get there. Our homeward path included many stops on an eventually successful search for boiled peanuts that we found at an intriguing flea market that straddled both sides of the road and reminded us all of Latin America or, for me, many Sunday afternoons spent with my papaw at similar flea markets throughout Kentucky and surrounding states. We definitely plan to go back when we have more time and a sunny day to enjoy a winding ramble through its many stalls.
We're glad to be home and to have received such positive feedback about our work. We have returned feeling renewed and rewarded with some exciting prospects for the future and fresh energy to tackle the work ahead.
p.s. Thanks to Deborah Thompson for taking and sharing photos of our good time together.
Friday, March 26, 2010
Sunday, February 28, 2010
Who We Are... & Who Are You?!
The Reedy documentary project has been such an interesting process throughout every phase so far. We've been reflecting on the way in which this blog and the activities and long-term goal it documents has impacted not only our lives, but those of others as well. So we thought it would be appropriate to more formally introduce ourselves to our audience and to give a shout-out to our readers and invite you to engage in a more interactive way.
First, the blog now includes a couple of new stand-alone pages that compile some useful information about the project and ourselves. The "Blog Pages" list in the left-hand menu pane includes links to additional information About the Filmmakers, a complete outline of our Chronological Blog Archive, a Multi-Media Library of compiled uploads, as well as a link back the main homepage. We hope these new materials are helpful in navigating the blog and understanding why we're doing this project in the first place. At some point we will likely create additional pages to compile important information, so please let us know if you have any ideas about how to make the blog the most useful.
And now to the really interesting part... A month ago on February 1, we installed Google Analytics so that we could collect and view data on who's visiting the blog, from where, how often, how long they stay, what they look at, etc. It took me a while to install it correctly, but the results of this tool are intriguing and make me regret not having it installed it when we first started this project this past August. We have yet to receive any external comments from the folks who are reading our posts, but now we know more about you!
In our first month of documenting our site's usage, we've logged in 180 visits from 91 unique visitors from 8 countries (including the U.S.):
| 1. | United States | |||||
| 2. | United Kingdom | |||||
| 3. | Canada | |||||
| 4. | France | |||||
| 5. | Germany | |||||
| 6. | Netherlands | |||||
| 7. | Sweden | |||||
| 8. | Australia |
...and 20 states!
| 1. | Kentucky | |||||
| 2. | Texas | |||||
| 3. | Ohio | |||||
| 4. | Maryland | |||||
| 5. | New Jersey | |||||
| 6. | Tennessee | |||||
| 7. | New York | |||||
| 8. | North Carolina | |||||
| 9. | Pennsylvania | |||||
| 10. | California |
| 11. | Georgia | |||||
| 12. | Florida | |||||
| 13. | Illinois | |||||
| 14. | Arkansas | |||||
| 15. | Massachusetts | |||||
| 16. | Delaware | |||||
| 17. | Washington | |||||
| 18. | Indiana | |||||
| 19. | Virginia | |||||
| 20. | Arizona |
We would love to know more about you, this eclectic group of people from a wide range of backgrounds and hometowns. So we welcome comments on our posts as well as more direct contact if we can share important information with one another.
With Analytics, we can also see search terms when people find us through a search engine, and it provides a valuable window to view references that we would not necessarily think of ourselves or as the most likely path. For example, there have been several visits, both from the U.S. and elsewhere, that have resulted from searches for other artists included on the recent discography of the Reedy's personal collection. [Note: Timi found some more historical photos that we need to scan as well as several additional LP's to be taken to the library. So we will soon be posting an exciting update to that discography!]
While we did not anticipate the relative relevance of vinyl recordings and their aficionados, we were already aware that this was an important area of inquiry for our project. Other unexpected and interesting search terms have surprised and sometimes tickled us such as "Bob Dylan live 1961-2000" (per Timi's love of Bob and him singin' her papaw's song). Whether through direct search queries for our project and related activities or through back-doors and random short-cuts, we are grateful for your interest and the time you have spent here, however you got here!
In addition to search engines, the Analytics tool shows whether someone types our URL directly or whether they access it through a link from a referring site. Mostly these are my Facebook friends who visit when I post an update, but it also shows other accessing links like the Berea College website and most recently 45rpmrecords.com, where Dan DeClark posted a link and update about our project. We've already had several visitors thanks to Dan!
Websites like Dan's (see the "Other Valuable Resources" posted in the left-hand menu) have offered another fascinating foray into multiple sub-cultures of scholars, collectors, and enthusiasts of vinyl recordings in general, of particular genres like Bluegrass and Rock-a-Billy, and/or specific geographical landscapes and locales. The resources, leads, and links that these websites provide have been enormously beneficial to our project, and we are thankful to be acknowledged among contributors to such an important and unique knowledge base.
We are also amazed and humbled by the way in which the blog and documentary project have helped establish a more mainstream knowledge base about the Reedys. When we first began formally researching and working on our fellowship proposal a year ago, there were only a few references to either Frances Reedy or John Reedy, and most of them refer to him.
Some of those resources have provided important summaries and leads, such as Eugene Chadbourne's All Music Guide article on John, which he charmingly begins by describing him as "A singer with a mug like a movie star..." This article also repeats the error about Frances and John's familial relationship, but otherwise it's an excellent account that was also pretty much the definitive and oft-syndicated source of online information about them.
Some of those resources have provided important summaries and leads, such as Eugene Chadbourne's All Music Guide article on John, which he charmingly begins by describing him as "A singer with a mug like a movie star..." This article also repeats the error about Frances and John's familial relationship, but otherwise it's an excellent account that was also pretty much the definitive and oft-syndicated source of online information about them.
A year later, we have more than just a month's worth of empirical evidence from Google Analytics that we are reaching people and that our work and this story matter. Any search of John and Frances Reedy and their music will now include our blog among the first page of results. This technological outlet and achievement allows Frances and John to speak for themselves in a new way, beyond their vinyl recordings, beyond their home recordings, and even beyond time.
We hope that you, our reader, listeners, watchers, stay tuned to the ever-unfolding story and process of "Remembering the Reedys." But most of all, we hope to hear from you, to learn from you, and to know... How the heck are ya?!
Tuesday, February 23, 2010
Appalachian Studies Conference Presentation 3/21
33rd Annual Appalachian Studies Conference
"Remembering the Reedys:
Appalachian Music, Migration & Memory"
Multi-Media Presentation
(Tammy Clemons & Timi Reedy)
Concurrent Session 9: Sunday, March 21
9:15--10:30 a.m. (Location TBC)
Timi and I are really looking forward to our multi-media presentation at the upcoming Appalachian Studies Conference in Dahlonega, Georgia next month. It will be exciting to share musical excerpts and footage from our documentary-in-progress about the musical and familial legacy of Frances and John Reedy and to receive feedback from other Appalachian scholars.
The Appalachian Studies Conference is one of my all-time favorite "academic" gatherings precisely because it is not a stuffy crowd of self-important elitists. Appalachian Studies is a serious interdisciplinary area of study, but the very nature of the subject matter and the inevitable social, economic, and environmental implications of its inquiry make it a unique intellectual and activist community. It is truly one of the coolest collection of folks for any reason, and it's a veritable "who's who" of well-known Appalachian authors, activists, artists, and icons.
I attended the conference the past three years (and presented twice) when I worked for Berea College. The first time I went, I was overcome by such a strong feeling of homecoming, of belonging, that I knew I would try to come back every year. This year, I knew that we had a great project to share, but we had to apply for scholarships to attend since my job ended. We just found out today that our registration scholarships were approved!
We're planning to carpool and room with our long-time super-fun buddy, previous short-term roomie, accomplished musician/scholar, and fellow Fellow Deborah Thompson. So our conference plans are coming together as March draws closer. We've been working on several projects as follow-up to our fellowship and in preparation for this presentation that will provide some new audio and video material since our first public presentation. Some of these projects are near completion and will soon be posted for perusal, but there is still much to be done before the conference.
Wednesday, February 10, 2010
Discography of Reedy Personal Collection (Vinyl)
Among our ongoing archive projects is a discography of the music collected and kept by Frances Reedy. This collection of music by other artists is substantial, with over 100 vinyl recordings as well as a large quantity of cassette tapes that we are still gathering. The discography below lists all of the vinyl LP's and 45's in alphabetical order by first name of the artist, all of which will be archived at Berea College as part of our Appalachian Sound Archives Fellowship this past fall.
First, there are a couple of important notes about the discography of recordings collected by Frances. One recording by Robert Kolan credits John Reedy with playing the harmonica on a track called "Vietnam" and accompaniment on the Side-2 cover of "Somebody Touched Me." There are also covers included on LP's by L.B. Siler and the Round Mountain Boys, Bill Monroe (erroneously crediting him as composer), Bluegrass Meditations, and Roy Acuff. The discography also includes a 45 from the mysterious and rare B-Atlas label that we can't find much information about. And perhaps the most interesting thing about this discography is that it is not all Bluegrass music...
If anyone knows the year that any of these recordings were made, please let us know! Also, please contact us if you are interested in getting a Word or Excel version of this table so it can be sorted by label, title, format, location, etc. And soon we'll be posting a really great oral history video with David Lundy, founder/owner of Lundy Recording Studio in Barbourville, Kentucky.
First, there are a couple of important notes about the discography of recordings collected by Frances. One recording by Robert Kolan credits John Reedy with playing the harmonica on a track called "Vietnam" and accompaniment on the Side-2 cover of "Somebody Touched Me." There are also covers included on LP's by L.B. Siler and the Round Mountain Boys, Bill Monroe (erroneously crediting him as composer), Bluegrass Meditations, and Roy Acuff. The discography also includes a 45 from the mysterious and rare B-Atlas label that we can't find much information about. And perhaps the most interesting thing about this discography is that it is not all Bluegrass music...
If anyone knows the year that any of these recordings were made, please let us know! Also, please contact us if you are interested in getting a Word or Excel version of this table so it can be sorted by label, title, format, location, etc. And soon we'll be posting a really great oral history video with David Lundy, founder/owner of Lundy Recording Studio in Barbourville, Kentucky.
-------------------------------
Discography of Reedy Personal Vinyl Collection
ARTIST REFERENCE | LABEL | SONG TITLE A SIDE / SONG TITLE B SIDE / or ALBUM TITLE | FORMAT | CITY, STATE | YEAR |
Ada Larck | Jalyn 17933 | There's Gonna Be Heartbreak / Will I Ever Learn | 45 | Dayton, OH | ? |
Arlie Petree | Rays of Hope CP-4699 | You've Got to Have Heaven / Waiting Outside | 45 | ? | |
Big Fred & the Ovations | Lemco 10410 | Everybody Sing / I'm Gonna Love You | 45 | Lexington, KY | ? |
Bill Monroe | MCA 426 | Road of Life | LP | ? | |
Blue Grass Gospel Aires | Gospel Gems 5945 | Family Bible | LP | Vandalia, OH | ? |
Blue Mountain Singers | B-Atlas 700 | Climbing the Stairway to Heaven / No, No, Sinner He Won't Let you In // Andrew Jackson Fearless Fighter / I'm a Lovesick Stranger | EP | ? | |
Bluegrass Drifters | Jewel 35151 | Bluegrass Covered with Snow | LP | Cincinnati, OH | ? |
Bluegrass Meditations | Bradley's Barn NRP 5412 | Were You There? | LP | Nashville, TN | ? |
Bluegrass Meditations | Bradley's Barn | Remember the Cross | LP | Nashville, TN | ? |
Bob Withers | Nugget 31532 | Don't Fiddle With My Bow / That's Me | 45 | ? | |
Bob Withers | Nugget 35672 | Going Back to Nashville / You're My Favorite Song | 45 | Goodlettsville, TN | ? |
Byard Ray & Obray Ramsey | ABC 690 | White Lightnin' | LP | ? | |
C.A. Williams | Trail Records 1983 | Magnificent Jesus | LP | London, KY | ? |
Calvary Duet Les & Joe | Ark 10812 | Travelin' On / God is Everywhere // Singing in the Promised Land / House of Gold | EP | Cincinnati, OH | ? |
Calvary Duet Les & Joe | Ark 10810 | Great Gilded Hall / Forgive Me Lord // Soul Winner for Jesus / Born Again | 45 | Cincinnati, OH | ? |
Calvary Trio | REM 5410 | Calvary Trio Sings and Plays Your Favorite Gospel Tunes | LP | Lexington, KY | ? |
Carl Story & His Ramblin' Mountaineers | Mercury 20323 | Family Reunion | LP | ? | |
Charlie Monroe & His Kentucky Partners | RCA | Who's Calling You Sweetheart Tonight | LP | ? | |
Chet Allen & the Lee Brothers | Jalyn 204 | London Prison / Trail of Lonesome Pine | 45 | Dayton, OH | ? |
Chubby Wise & the Rainbow Ranch Boys | Starday 154 | Self-Titled | LP | ? | |
Chuck and Lottie Sivley | Old Timer 806 | Have You Ever Been Confused / My World Ended Today | 45 | ? | |
Country Gospel-Aires | Ark 209 | Battle for Heaven / No Teardrops in Heaven / I Just Dropped By // I'll Be Happy in Heaven / God's Love Made Me Whole / We're Building a Mansion | EP | Cincinnati, OH | ? |
Country Gospel-Aires | Sulkie 102 | They Hung My Lord / Climbing the Stairway to Heaven | 45 | ? | |
Country Gospel-Aires | Ark 8695 | Road to Glory / House of God / He Took Your Place // Swing Low Sweet Chariot / Give Me Flowers While I Live / Voice of My Savior | EP | Cincinnati, OH | ? |
Cumberland River Boys | Rich-a-Tone 8072 | Under the Pale Moonlight / Flowers from the Fields of Alabama | 45 | Johnson City, TN | ? |
Curly Coldiron & the Circle C Boys | Sullivan U5992 | Come on Get Up / Two Many Chiefs and Not Enough Indians | 45 | Serona, WI | ? |
Dane Woolum & the Laurel County Partners | Ark 11295 | The Great Beyond / Holding On // Childhood Memories / Life Eternal | EP | Cincinnati, OH | ? |
Dave Dudley | Golden Ring 3030 | Cowboy Boots / I Think I'll Cheat a Little Tonight | 45 | Minneapolis, MN | ? |
Dave Woolum and the Laurel County Partners | Pine Tree Records 845 | Done Gone and Done It | LP | Hamilton, OH | ? |
Dayton Harvesters Quartet | Self 781 | Journey of No Return / I Witness for Jesus | 45 | ? | |
Delores Bond | Jalyn 20077 | You'd Better Stop and Think About Me / Who Do You Think You're Fooling | 45 | Dayton, OH | ? |
Earl and Betty Christian | E and B 900 | River of Jordon / You'll Be Rewarded Over There | 45 | ? | |
Earnest Carter and the Hymn Trio | Ark 9606 | First Easter Day / Banks of Jordon / Mother Went Walking // Valley of Sin / Mountain Church / Jacob's Vision | Cincinnati, OH | ? | |
Earnest Carter and the Hymn Trio | Ark CP 7601 | Path of Sin / The Gospel Train | 45 | Cincinnati, OH | ? |
Eddie Ray Sosby & His Circle 3 Ranch Hands | Sullivan U-1979 | The Cow Song (O! Why Did I Ever Milk Cows) / Little More Music | 45 | Serona, WI | ? |
Elizabeth Attkisson | Viola (Lundy) 760428 | Harlan County Mines / I Dreamt About Daddy Last Night | 45 | Barbourville, KY | ? |
Glen Barber | Starday 676 | If Anyone Can Show Cause / Stronger Than Dirt | 45 | Nashville, TN | ? |
Gospel Travelers | GT 325 | I'd Like to Hear'm Preach It / Take Up Thy Cross | 45 | Dayton, OH | ? |
Herman Bruce & the Cumberland County Trio | Ark 6955 | Prophesy of the Lord / Jesus Stopped By One Day // I Found a Way / From the Garden to the Cross | EP | Cincinnati, OH | ? |
Howard Davis | Ark 1000 | Lightning / Oh My Love | 45 | Cincinnati, OH | ? |
Jack Lynch & the Lee Brothers | Jalyn 12921 | Little Birdie / All the Love I Had is Gone | 45 | Dayton, OH | ? |
Janice and Paul Collins | Jalyn 16025 | I'll Not Be a Stranger / Higher Power // Mother Left Me Her Bible / Shut-in's Prayer | EP | Dayton, OH | ? |
JD Jarvis | Ark 11336 | River of Death / Nights in Low Lights // I Don't Want to Miss Heaven / When the Angels Carry Me Home | EP | Cincinnati, OH | ? |
JD Jarvis & Son Lucky & Rocky Mountain Boys | Ark 10645 | A Few More Seasons / Nights in Low Lights / The Hands of God // Remember the Cross / Tell Them What You Want To / He is Mine | EP | Cincinnati, OH | ? |
JD Jarvis & the White Water Valley Boys | Ark 7481 | That Lonely River / Are You Walking to the Light | 45 | Cincinnati, OH | ? |
Jim Harden & the Bluegrass Statesmen | Artist Recording 800418 | Old Fashioned Altar / Pathway to Heaven | 45 | Cincinnati, OH | ? |
Jim Kandy | K-Ark 647 | I'm the Man / Angelville/Sky | 45 | ? | |
Jimmy Murphey | Ark 9865 | Wake Me Up Sweet Jesus / My Feet's On Solid Ground | 45 | Cincinnati, OH | ? |
Johnny Blue & the Pelfrey Brothers | Ark 9007 | Lonesome Mountain / New Angel in Heaven | 45 | Cincinnati, OH | ? |
Johnny Dacus, The Tennessee Mountain Fiddler | Old Homestead 90042 | John's Mule | LP | ? | |
Johnny Foster | Capa 122 | My Own / Take Back My Heart | 45 | Nashville, TN | ? |
Johnny Morre Trio & Marrie Jones | Blaze 110 | Did You Stop to Pray This Morning / Run Sinner Run | 45 | ? | |
June Black | Chart Records 1285 | The Other Woman Is Your Wife / Postmark Vietnam | 45 | Nashville, TN | ? |
Kenny Felts with the Starlighters | Jewel 80527 | Robe of Calvary and Other Gospel Favorites | LP | ? | |
L.B. Siler and the Round Mountain Boys | Jalyn 33724 | The Good Sounds of Bluegrass | LP | Dayton, OH | ? |
Leon Turner | King 2810 | What It Takes / That's the Reason | 45 | Cincinnati, OH | ? |
Leon Turner | Ark 9001 | That's What It Takes / That's the Reason | EP | Cincinnati, OH | ? |
Leslie Durham & Joe Anderson the Calvary Duet | Ark 10028 | Now Is The Time to Pray / Mother's Bible / I'll Make It Through // Stranger on the Road / Wings of an Angel / Jesus Answers My Prayers | EP | Cincinnati, OH | ? |
Lloyd Henson and His Electric Guitar | Laurel Leaf 23174 | Savior of the Old Rugged Cross / Almost Home | 45 | London, KY | ? |
Luke Gibbons Rhythm Rangers | Dess 7010 | Prisoner's Promise / Queen of Skid Row | 45 | Dayton, OH | ? |
Norville Dollar | Nugget 28572 | Lonely Man / My Hurt's Too Deep for Tears | 45 | ? | |
Old Joe Clark | Ark 8570 EP 229 | Old Age Won't Kill You / Willow Garden / Keep My Skillet Good and Greasy // Fly Around My Pretty Little Pink / Pig in the Pen / Mountain Dew | EP | Cincinnati, OH | ? |
Old Kentucky Ike | Log Cabin 951 | Dark Calvary Friend / Two Little Orphan Boys | 45 | ? | |
Orville Couch | VJ 706 | Color Me Gone / You're a Little Heartache | 45 | ? | |
Paul Mullins and the Backwoods Boys Quartet | Jalyn 18847 | Hymns from the Hills | LP | ? | |
Pelfrey Brothers | Jalyn 12331 | Joy Bells / I Just Dropped By // When the Angels Carry Me Home / Mother's Not Dead (She's Only Sleeping) | EP | Dayton, OH | ? |
Pelfrey Brothers | Jalyn 12092 | The Fields Have Turned Brown / My Lord Will Lead Me Home // Get on Your Knees and Pray / He Will Set Your Fields on Fire | EP | Dayton, OH | ? |
Pine Mountain Gospel Singers | Ranger 449 | Heaven | LP | Cllo, MI | ? |
Priscilla Mitchell | Mercury 72565 | Sweet Talk / Almost Everything a Lonely Girl Needs | 45 | ? | |
Ralph Emery | Mercury 72295 | Sit Down and Write a Letter Won't You Baby / I Cry at Ballgames | 45 | ? | |
Ralph Stanley & the Clinch Mountain Boys | Jalyn 22410 | Bluegrass Sound | LP | ? | |
Ray Pennington | King 5783 | The First Step Down is the Longest / Your Diary | 45 | Cincinnati, OH | ? |
Ray Yeager | Tiara 33421 | Our Little Girl / Old Junk Drawer | 45 | Hollywood, FL | ? |
Reverend Earl Caddell | Gospel Light GLD0345 | House of Gold / Jesus is the One // Deliverance Will Come / The Blood That Stained That Old Rugged Cross | 45 | Knoxville, TN | ? |
Robert Kolen [Harmonica by John Reedy; Side B Accompanied by John Reedy] | Jalyn 338 | Vietnam / Somebody Touched Me | 45 | Dayton, OH | ? |
Roy Acuff | Hickory 162 | Why is Roy Acuff | LP | ? | |
Rusty York & and the Kentucky Mountain Boys | Bluegrass Special 600 | Little Rosewood Casket / Pretty Polly / Roving Gambler // Girl in Sunny Tennessee / Little Maggie / East Virginia Blues | EP | Cincinnati, OH | ? |
Sandy Brooks | Great 1070 | I Didn't Have the Heart / Gold Wedding Ring | 45 | Nashville, TN | ? |
Sons of the Bluegrass | Ark 9273 | Preach Pray Sing and Shout / I'll Find Him There // Uncle John Who Didn't Shout / Lord Keep Your Hand on Me | EP | Cincinnati, OH | ? |
Stanley Brothers | Gusto 273 | Stanley Brothers In Person | LP | Nashville, TN | ? |
Stanley Brothers & the Clinch Mountain Boys | Jalyn 323 | Long Journey Home / Going Downtown | 45 | Dayton, OH | ? |
Teenie Chenault | Alear 655 | Where Happiness Ends and Heartbreak Begins / You're No Inspiration, Gracie for a Hit Song | 45 | ? | |
The Jimmy Murphy Family | Artist Recording | Poor People | LP | Cincinnati, OH | ? |
The Kentuckians | Jalyn 19327 | Little Darlin Pal of Mine / On the Banks of the Ohio | 45 | Dayton, OH | ? |
The Mark II | WYE 5-1001 | Confusion / Night Theme | 45 | ? | |
The Melody-ettes | Rose Recording | Amazing Grace Has to Be My Favorite Song | LP | Vandalia, OH | ? |
The New Georgia Crackers | Olympic 24 | Yesterday's Memories (Are Heartaches Today) / Columbus Blues Stockade | 45 | ? | |
The Osborne Brothers | MGM 4018 | The Black Sheep Return to the Fold | LP | ? | |
The Real Pros | Cinema 7515 | My Reason is Jesus / Down in the Valley | 45 | Hollywood, CA | ? |
Thurston and Jawanda Hensley | Jordan Records | The King's Highway | LP | Covington, KY | ? |
Various Artists | Hilltop 6140 | Bluegrass Banjos | LP | ? | |
Various Artists | Ark 9868 | I Long to Hear Hank Sing the Blues (Jimmy Murphy) / Swing Still Blues (Paul Smith | 45 | Cincinnati, OH | ? |
Various Artists [Side A = Upchurch Brothers; Side B = Terry Upchurch and the Upchurch Brothers] | Ark 7001 | Ain't No Grave / My Soul's Been Satisfied / He'll Set You Free // Song of Songs / Someone Will Love Me / I Remember How Mother Prayed | EP | Cincinnati, OH | ? |
Various Artists [Side A = Upchurch Brothers; Side B = Terry Upchurch and the Upchurch Brothers] | Jewel EP 401 | Counting My Blessings / When Jesus Calls / There Are No Shortcuts // The Day My Daddy Prayed / I'm Gonna Walk With Jesus / Everybody Will Be Happy | EP | ? | |
Wade Mainer & the Sons of the Mountaineers | Old Homestead 90014 | Rock of My Soul | LP | Brighton, MI | ? |
Wayne Rainey & the Rainey Family | New American 600 | A Little Pine Log Cabin / Hand in Hand with Jesus / I Found It in Mother's Bible // Where No Cabins Fall / The Uncloudy Day / An Empty Mansion | EP | Oxford, OH | ? |
Wayne Rainey & the Rainey Family | Starday SEP-139 | Over the Rolling Sea / He is Both God and Man / Family Circle // The Garden Where Mother Prayed / Wayward Drunk / I Want to Know | EP | Nashville, TN | ? |
Wibby Lee | Jalyn 214 | I'm Lost Without Your Love / Please Don't Run Me Off | 45 | Dayton, OH | ? |
Wibby Lee & Paul Allan | Jalyn 402 | Might As Well Be No Moon At All / I'm Talkin' Not Walkin' the Blues | 45 | Dayton, OH | ? |
Zirkle Brothers | Ark 9269 | Now is the Time to Be Saved / Each Step I Take / King of Kings // Sweet Bye and Bye / Thankful / The Lord is Counting on You | EP | Cincinnati, OH | ? |
Zirkle Brothers | Ark 10069 | They're Expecting Me Home / The Highest Mount | 45 | Cincinnati, OH | ? |
Zirkle Brothers | Ark 7607 | Bugle Call From Heaven / Tell My Friends / Invisible Hands // Jesus Wept / His Robe / Where the Seasons Never Change | EP | Cincinnati, OH | ? |
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